Professional Development Workshop Series for Indigenous Artists 2026–2027
The Indigenous Protocols Collective invites First Nations, Métis, and Inuit (FNMI) Artists across Canada to take part in seven free professional development workshops throughout Fall 2026 and Winter 2027. Led by Indigenous Artists and arts professionals, this series offers space to build practical skills, share knowledge, ask questions, and strengthen your artistic practice among fellow FNMI Artists. Two workshops on each topic will be offered; one in Fall and one in Winter.
Each workshop explores tools and considerations that support FNMI Artists at different stages of their careers. Together, these sessions create opportunities to further build foundational knowledge, learn from one another, and build confidence in navigating professional challenges.
All workshops will take place online via Zoom and are free to attend. These sessions are intended exclusively for First Nations, Métis, and Inuit artists in Canada. Workshops will not be recorded, creating intentional space for conversation, shared learning, and exchange among Indigenous Artists.
Explore the workshop schedule below and register for the sessions that speak to your practice.
Pay attention to timezones; all workshops are listed in Eastern Time Zone (EST).
The schedule of workshops will be updated regularly, so keep watching for more details on dates, speakers, and how to register. All workshops will be supported by CARFAC National Programs Director, Larissa Desrosiers, who you can get to know here.
Please note: These presentations will provide a summary of issues as they relate to Indigenous Protocols and intellectual property. It does not replace professional legal advice if required, and it is always recommended that you contact and engage with the relevant Indigenous Nation(s) or community to discuss your project or specific questions.
We gratefully acknowledge financial support for the 2025 workshop series from the Canada Council for the Arts.
“Negotiating Contracts and Navigating Relationships” Fall Workshop with Summer-Harmony Twenish
“Negotiating Contracts and Navigating Relationships” Workshop with Summer-Harmony Twenish
This workshop will focus on artist contracts (what they are and how we negotiate them), building relationships with clients, having "the money talk", and special considerations for Indigenous artists (including navigating uncomfortable situations and when to walk away). The goal of this workshop is for artists to leave feeling confident and ready for their next big gig!
“The Circle Drawn Perfect: Artists Are Stronger Together” Fall Workshop with Jason Sikoak
“The Circle Drawn Perfect: Artists Are Stronger Together” Fall Workshop with Jason Sikoak
Date: Monday, November 9, 2026
Time: 6:00 - 9:00 PM EST
Where: Virtually via Zoom
WORKSHOP DESCRIPTION
Artists are stronger together! This workshop intends to provide Indigenous Artists with a space of empowerment and unity. How can we connect in ways that empower all of us as a collective as we navigate spaces that can feel isolating and draining? How can we lift each other up to continue developing our artistry?
ABOUT THE WORKSHOP LEADER
Born in Rigolet, Nunatsiavut, NL, and currently based in Montreal, QC, Jason Sikoak is a practicing artist from Nunatsiavut currently working with mixed media, pen-and-ink drawing, rug tufting and linolieum cut printmaking. Sikoak’s early practice began by watching their uncle, Jack Mugford. They first began working in wood, like his uncle, and later paper and pencil as it became available. They have also explored stone, bone and antler before working with pen-and-ink more exclusively. Often tackling themes both spiritual and political, they frequently renders their interpretation of Inuit life and spirituality on paper.
-
REGISTRATION
After registering, you will receive an email with a Zoom link and additional workshop information.
CAPACITY
Space for this workshop is limited to 50 attendees.
ATTENDEE EXPECTATIONS
We ask you to come with your curiosity and questions! Discussion and engagement are encouraged.
ACCESSIBILITY
This workshop series will be held in English through Zoom with Closed Captioning enabled through auto-transcription technology. There will be discussions throughout the workshop, and so the use of audio will be used for participation.
Other accommodations can be made if we are informed ahead of time. The use of video is strongly encouraged for all attendees to contribute to the learning experience.
CODE OF CONDUCT
By registering for this workshop, you agree to respect the following terms:
Difficult conversations may arise; you agree to maintain a safe and respectful space for everyone to participate in discussions. CARFAC reserves the right to remove participants from workshop sessions if they use discriminatory language, personal attacks, inappropriate behaviour or violent threats.
No recording or broadcasting of audio or video of the workshop by registered participants is permitted.
No sharing of personal Zoom registration links/codes with people not registered for the workshop. Additionally, you agree not to transfer the Zoom link/code to a substitute attendee unless permitted to do so by CARFAC.
Please contact CARFAC National Programs Director Larissa at larissa@carfac.ca if you have any questions about the Professional Development for Indigenous Artists workshop series.
“Know Your Shit: Understanding Copyright” Fall Workshop with Dayna Danger
“Know Your Shit: Understanding Copyright” Fall Workshop with Dayna Danger
Date: Thursday, November 12, 2026
Time: 6:00 - 9:00 PM EST
Where: Virtually via Zoom
WORKSHOP DESCRIPTION
As Indigenous creators, navigating copyright, ownership and intellectual property within settler institutions can be complicated. Do you know your rights as an artist? Who owns your work? What happens when your art enters galleries, museums or other institutions? Do you know what to do when someone copies or uses your work without your permission?
This workshop creates space for Indigenous artists to understand their rights, challenge institutional practices and explore ways to protect their creative work, cultural knowledge and artistic sovereignty. Through conversation and shared experiences, we will unpack copyright, ownership and what it means to maintain control over our own creative practices.
ABOUT THE WORKSHOP LEADER
Dayna Danger (they/them) is a Two-Spirit, Indigiqueer, Métis-Saulteaux-Polish, visual artist, hide tanner, drummer, and beadworker. Danger’s art practice is an act of reclaiming space and power over society's projections of sexualities and representation. This transpires in Danger’s art by their intentionally large-scale images that place importance on women-identified, Two-Spirit, transgender, and non-binary people. Their art uses symbolic references to kink communities to critically interrogate visibility and rejection. Danger centers Kin and practicing consent to build artworks that create a suspension of reality wherein complex dynamics of sexuality, gender, and power are exchanged.
-
REGISTRATION
After registering, you will receive an email with a Zoom link and additional workshop information.
CAPACITY
Space for this workshop is limited to 50 attendees.
ATTENDEE EXPECTATIONS
We ask you to come with your curiosity and questions! Discussion and engagement are encouraged.
ACCESSIBILITY
This workshop series will be held in English through Zoom with Closed Captioning enabled through auto-transcription technology. There will be discussions throughout the workshop, and so the use of audio will be used for participation.
Other accommodations can be made if we are informed ahead of time. The use of video is strongly encouraged for all attendees to contribute to the learning experience.
CODE OF CONDUCT
By registering for this workshop, you agree to respect the following terms:
Difficult conversations may arise; you agree to maintain a safe and respectful space for everyone to participate in discussions. CARFAC reserves the right to remove participants from workshop sessions if they use discriminatory language, personal attacks, inappropriate behaviour or violent threats.
No recording or broadcasting of audio or video of the workshop by registered participants is permitted.
No sharing of personal Zoom registration links/codes with people not registered for the workshop. Additionally, you agree not to transfer the Zoom link/code to a substitute attendee unless permitted to do so by CARFAC.
Please contact CARFAC National Programs Director Larissa at larissa@carfac.ca if you have any questions about the Professional Development for Indigenous Artists workshop series.
"Artistic Considerations of Protocols and Traditional Knowledge" Fall Workshop with Monique Manatch
“Artistic Considerations of Protocols and Traditional Knowledge” Fall Workshop with Monique Manatch
Date: Monday, November 16, 2026
Time: 6:00 - 9:00 PM EST
Where: Virtually via Zoom
WORKSHOP DESCRIPTION
This workshop will provide Indigenous Artists with considerations surrounding Indigenous protocols as they relate to their artistic practices. What are Indigenous Protocols? What happens when a Protocol is broken? What do I need to know when working with cultural materials? Why can't I depict images from Nations outside of my own? What does safeguarding knowledge mean? Register today to further your understanding and to strengthen your artistic considerations surrounding Indigenous Protocols.
ABOUT THE WORKSHOP LEADER
Monique Manatch is a member of the Algonquins of Barriere Lake and a Knowledge Carrier. In 2004, Monique founded and became Executive Director of Indigenous Culture and Media Innovations (www.icmi.ca). ICMI is dedicated to the skills development of Indigenous communities through the production of media and arts. Monique has facilitated Indigenous artists and community members throughout Ontario, Quebec and Newfoundland. ICMI projects include the creation of an Algonquin Language video game.
Currently, Monique is a student at Carleton University taking a doctorate program in Anthropology focusing on the impact, use and creation of digital arts in the Indigenous community. Her Master’s Degree is in Indigenous and Canadian Studies with a specialty in Digital Humanities and Curatorial Studies. Monique also holds a post-graduate diploma in Indigenous Policy and Administration. Over the past 20 years Monique has produced several video documentaries about Indigenous issues. Monique also facilitated the production of videos and community radio programming with Kitigan Zibi Anishnabeg, Mitchikanibikok Inik (Algonquins of Barriere Lake), Mushkegowuk Cree and the Indigenous community in Ottawa.
-
REGISTRATION
After registering, you will receive an email with a Zoom link and additional workshop information.
CAPACITY
Space for this workshop is limited to 50 attendees.
ATTENDEE EXPECTATIONS
We ask you to come with your curiosity and questions! Discussion and engagement are encouraged.
ACCESSIBILITY
This workshop series will be held in English through Zoom with Closed Captioning enabled through auto-transcription technology. There will be discussions throughout the workshop, and so the use of audio will be used for participation.
Other accommodations can be made if we are informed ahead of time. The use of video is strongly encouraged for all attendees to contribute to the learning experience.
CODE OF CONDUCT
By registering for this workshop, you agree to respect the following terms:
Difficult conversations may arise; you agree to maintain a safe and respectful space for everyone to participate in discussions. CARFAC reserves the right to remove participants from workshop sessions if they use discriminatory language, personal attacks, inappropriate behaviour or violent threats.
No recording or broadcasting of audio or video of the workshop by registered participants is permitted.
No sharing of personal Zoom registration links/codes with people not registered for the workshop. Additionally, you agree not to transfer the Zoom link/code to a substitute attendee unless permitted to do so by CARFAC.
Please contact CARFAC National Programs Director Larissa at larissa@carfac.ca if you have any questions about the Professional Development for Indigenous Artists workshop series.
“Your Art, Your Voice: Setting Yourself Up For Digital Success” Fall Workshop with Justine Stilborn
Your Art, Your Voice: Setting Yourself Up For Digital Success” Fall Workshop with Justine Stilborn
Date: Wednesday, November 18, 2026
Time: 5:00 - 8:00 PM EST
Where: Virtually via Zoom
WORKSHOP DESCRIPTION
In today’s digital landscape, taking control of your creative practice means having the tools, systems, and strategy to present your work on your own terms. Whether you're building your first website, navigating social media, or trying to put your artistic practice into words, this workshop breaks down the essentials without the confusing jargon. Designed as an interactive professional development session, we will walk you through the core foundations of digital organization and online presence while keeping your practice grounded in your authentic voice.
Led by Justine "Tini" Stilborn and supported by Larissa Desrosiers, this workshop blends practical strategy with guided, hands-on activities so you leave with tangible materials ready to digitize your artistic practice.
What We’ll Cover:
Overview of artwork documentation, digital archiving, and descriptive practices for long-term organization.
Core foundations of strategic website design and social media strategy built for artists.
Mapping your unique brand to clarify your creative values, vision, and online presence.
Guided development of your professional artist bio and artist statement.
No prior marketing experience required - just bring your practice and your story!
ABOUT THE WORKSHOP LEADER
Justine “Tini” Stilborn is a Regina-based artist, designer, and Programs Manager at the Indigenous Curatorial Collective (ICCA). A Métis, Swampy Cree, Romanian, Scottish, and mixed Settler woman, she holds a BFA in Visual Arts from the University of Regina. She currently serves as 2nd Vice President of CARFAC National, Past President of CARFAC Sask, a MacKenzie Art Gallery Ambassador, and sits on the City of Regina’s Cultural Sector Reference Committee.
Her professional experience includes past roles as Vice President of a marketing agency and Communications Specialist at FHQ Developments. As a freelance graphic designer, illustrator, and public artist, Justine bridges strategic communications, branding, and creative execution.
-
REGISTRATION
After registering, you will receive an email with a Zoom link and additional workshop information.
CAPACITY
Space for this workshop is limited to 50 attendees.
ATTENDEE EXPECTATIONS
We ask you to come with your curiosity and questions! Discussion and engagement are encouraged.
ACCESSIBILITY
This workshop series will be held in English through Zoom with Closed Captioning enabled through auto-transcription technology. There will be discussions throughout the workshop, and so the use of audio will be used for participation.
Other accommodations can be made if we are informed ahead of time. The use of video is strongly encouraged for all attendees to contribute to the learning experience.
CODE OF CONDUCT
By registering for this workshop, you agree to respect the following terms:
Difficult conversations may arise; you agree to maintain a safe and respectful space for everyone to participate in discussions. CARFAC reserves the right to remove participants from workshop sessions if they use discriminatory language, personal attacks, inappropriate behavior or violent threats.
No recording or broadcasting of audio or video of the workshop by registered participants is permitted.
No sharing of personal Zoom registration links/codes with people not registered for the workshop. Additionally, you agree not to transfer the Zoom link/code to a substitute attendee unless permitted to do so by CARFAC.
Please contact CARFAC National Programs Director Larissa at larissa@carfac.ca if you have any questions about the Professional Development for Indigenous Artists workshop series.
“Grants and Proposals” Fall Workshop with Liz Barron
“Grants and Proposals” Fall Workshop with Liz Barron
Date: Wednesday, November 25th, 2026
Time: 6:00 - 9:00 PM EST
Where: Virtually via Zoom
WORKSHOP DESCRIPTION
Grant Writing for Artists
How does a strong artistic idea become a clear and competitive grant application? This hands-on workshop will examine two common grant-writing scenarios: applying for support after being invited to participate in an exhibition and applying to research and create a new body of work. Participants will learn how to describe their project, explain its importance, develop a realistic timeline and connect their proposed activities to an appropriate budget. This is a working session. Participants should come prepared with either a confirmed exhibition opportunity or an idea for a new body of work. Bring any relevant notes, invitation letters, project dates and estimated expenses. Participants will begin developing a project summary, timeline and list of expenses during the workshop.
Writing an Exhibition Proposal
Do you have an exhibition idea but are unsure how to approach an artist-run centre, gallery or curator? This hands-on workshop will guide artists through the essential components of an exhibition proposal, including the project description, artist statement, support materials and connection to a gallery’s mandate. Participants will learn how Canadian artist-run centres assess proposals and how to clearly communicate what they are proposing, why it matters and why it is appropriate for a particular venue. This is a working session. Participants should come prepared with an exhibition idea, notes about their work and, if possible, the name of an artist-run centre, gallery or curator they may wish to approach. Participants will begin drafting a project description during the workshop.
ABOUT THE WORKSHOP LEADER
Liz Barron has been self-employed in the arts for the last 25 years. She is dedicated to building strategies and programs that target, motivate, and engage Indigenous artists and organizations working in all cultural milieu. Her skills in arts management includes experience working with CARFAC, the Ottawa Symphony Orchestra, and numerous Indigenous led arts and culture not-for-profits. She is currently employed as Executive Director of Operations at the Indigenous Curatorial Collective (ICCA). Liz is one of the original founders of Urban Shaman Gallery in Winnipeg, and she has served as a mentor with the Manitoba Music Indigenous Mentorship program. She was the project manager for one of the largest Indigenous contemporary exhibitions in Canada, Close Encounters: The Next 500 Years, led by four Indigenous curators which featured over 30 Indigenous contemporary artists. In 2021, she started the Barron Bursary at Digital Arts Resource Centre in Ottawa, to support an Indigenous moving image maker to study film at the University of Ottawa. Barron is a member of the Manitoba Metis Federation and a member of the Catfish Local, Winnipeg.
-
REGISTRATION
After registering, you will receive an email with a Zoom link and additional workshop information.
CAPACITY
Space for this workshop is limited to 50 attendees.
ATTENDEE EXPECTATIONS
We ask you to come with your curiosity and questions! Discussion and engagement are encouraged.
ACCESSIBILITY
This workshop series will be held in English through Zoom with Closed Captioning enabled through auto-transcription technology. There will be discussions throughout the workshop, and so the use of audio will be used for participation.
Other accommodations can be made if we are informed ahead of time. The use of video is strongly encouraged for all attendees to contribute to the learning experience.
CODE OF CONDUCT
By registering for this workshop, you agree to respect the following terms:
Difficult conversations may arise; you agree to maintain a safe and respectful space for everyone to participate in discussions. CARFAC reserves the right to remove participants from workshop sessions if they use discriminatory language, personal attacks, inappropriate behavior or violent threats.
No recording or broadcasting of audio or video of the workshop by registered participants is permitted.
No sharing of personal Zoom registration links/codes with people not registered for the workshop. Additionally, you agree not to transfer the Zoom link/code to a substitute attendee unless permitted to do so by CARFAC.
Please contact CARFAC National Programs Director Larissa at larissa@carfac.ca if you have any questions about the Professional Development for Indigenous Artists workshop series.
"Know Your Shit: Understanding Copyright" Winter Workshop with Dayna Danger
“Know Your Shit: Understanding Copyright” Winter Workshop with Dayna Danger
Date: Thursday, January 21, 2027
Time: 6:00 - 9:00 PM EST
Where: Virtually via Zoom
WORKSHOP DESCRIPTION
As Indigenous creators, navigating copyright, ownership and intellectual property within settler institutions can be complicated. Do you know your rights as an artist? Who owns your work? What happens when your art enters galleries, museums or other institutions? Do you know what to do when someone copies or uses your work without your permission?
This workshop creates space for Indigenous artists to understand their rights, challenge institutional practices and explore ways to protect their creative work, cultural knowledge and artistic sovereignty. Through conversation and shared experiences, we will unpack copyright, ownership and what it means to maintain control over our own creative practices.
ABOUT THE WORKSHOP LEADER
Dayna Danger (they/them) is a Two-Spirit, Indigiqueer, Métis-Saulteaux-Polish, visual artist, hide tanner, drummer, and beadworker. Danger’s art practice is an act of reclaiming space and power over society's projections of sexualities and representation. This transpires in Danger’s art by their intentionally large-scale images that place importance on women-identified, Two-Spirit, transgender, and non-binary people. Their art uses symbolic references to kink communities to critically interrogate visibility and rejection. Danger centers Kin and practicing consent to build artworks that create a suspension of reality wherein complex dynamics of sexuality, gender, and power are exchanged.
-
REGISTRATION
After registering, you will receive an email with a Zoom link and additional workshop information.
CAPACITY
Space for this workshop is limited to 50 attendees.
ATTENDEE EXPECTATIONS
We ask you to come with your curiosity and questions! Discussion and engagement are encouraged.
ACCESSIBILITY
This workshop series will be held in English through Zoom with Closed Captioning enabled through auto-transcription technology. There will be discussions throughout the workshop, and so the use of audio will be used for participation.
Other accommodations can be made if we are informed ahead of time. The use of video is strongly encouraged for all attendees to contribute to the learning experience.
CODE OF CONDUCT
By registering for this workshop, you agree to respect the following terms:
Difficult conversations may arise; you agree to maintain a safe and respectful space for everyone to participate in discussions. CARFAC reserves the right to remove participants from workshop sessions if they use discriminatory language, personal attacks, inappropriate behavior or violent threats.
No recording or broadcasting of audio or video of the workshop by registered participants is permitted.
No sharing of personal Zoom registration links/codes with people not registered for the workshop. Additionally, you agree not to transfer the Zoom link/code to a substitute attendee unless permitted to do so by CARFAC.
Please contact CARFAC National Programs Director Larissa at larissa@carfac.ca if you have any questions about the Professional Development for Indigenous Artists workshop series.
"Negotiating Contracts and Navigating Relationships" Winter Workshop with Summer-Harmony Twenish
Negotiating Contracts and Navigating Relationships” Workshop with Summer-Harmony Twenish
Date: Wednesday, January 27, 2027
Time: 6:00 - 9:00 PM EST
Where: Virtually via Zoom
WORKSHOP DESCRIPTION
This workshop will focus on artist contracts (what they are and how we negotiate them), building relationships with clients, having "the money talk", and special considerations for Indigenous artists (including navigating uncomfortable situations and when to walk away). The goal of this workshop is for artists to leave feeling confident and ready for their next big gig!
ABOUT THE WORKSHOP LEADER
Summer-Harmony Twenish (she/they) is a queer Algonquin Anishinabe artist from Kitigan Zibi, Quebec. Her work is rooted in a deep love for her culture, homelands, and the women who raised her. Summer's work is unapologetically joyful, pissed-off, and tender. Through her playful illustrative style, she depicts the fluidity and diversity of Indigenous existence today, with Indigenous femmes to the front.
-
REGISTRATION
After registering, you will receive an email with a Zoom link and additional workshop information.
CAPACITY
Space for this workshop is limited to 50 attendees.
ATTENDEE EXPECTATIONS
We ask you to come with your curiosity and questions! Discussion and engagement are encouraged.
ACCESSIBILITY
This workshop series will be held in English through Zoom with Closed Captioning enabled through auto-transcription technology. There will be discussions throughout the workshop, and so the use of audio will be used for participation.
Other accommodations can be made if we are informed ahead of time. The use of video is strongly encouraged for all attendees to contribute to the learning experience.
CODE OF CONDUCT
By registering for this workshop, you agree to respect the following terms:
Difficult conversations may arise; you agree to maintain a safe and respectful space for everyone to participate in discussions. CARFAC reserves the right to remove participants from workshop sessions if they use discriminatory language, personal attacks, inappropriate behavior or violent threats.
No recording or broadcasting of audio or video of the workshop by registered participants is permitted.
No sharing of personal Zoom registration links/codes with people not registered for the workshop. Additionally, you agree not to transfer the Zoom link/code to a substitute attendee unless permitted to do so by CARFAC.
Please contact CARFAC National Programs Director Larissa at larissa@carfac.ca if you have any questions about the Professional Development for Indigenous Artists workshop series.
“The Circle Drawn Perfect: Artists Are Stronger Together” Winter Workshop with Jason Sikoak
“The Circle Drawn Perfect: Artists Are Stronger Together” Winter Workshop with Jason Sikoak
Date: Monday, February 8, 2027
Time: 6:00 PM - 9:00 PM EST
Where: Virtually via Zoom
WORKSHOP DESCRIPTION
Artists are stronger together! This workshop intends to provide Indigenous Artists with a space of empowerment and unity. How can we connect in ways that empower all of us as a collective as we navigate spaces that can feel isolating and draining? How can we lift each other up to continue developing our artistry?
ABOUT THE WORKSHOP LEADER
Born in Rigolet, Nunatsiavut, NL, and currently based in Montreal, QC, Jason Sikoak is a practicing artist from Nunatsiavut currently working with mixed media, pen-and-ink drawing, rug tufting and linolieum cut printmaking. Sikoak’s early practice began by watching their uncle, Jack Mugford. They first began working in wood, like his uncle, and later paper and pencil as it became available. They have also explored stone, bone and antler before working with pen-and-ink more exclusively. Often tackling themes both spiritual and political, they frequently renders their interpretation of Inuit life and spirituality on paper.
-
REGISTRATION
After registering, you will receive an email with a Zoom link and additional workshop information.
CAPACITY
Space for this workshop is limited to 50 attendees.
ATTENDEE EXPECTATIONS
We ask you to come with your curiosity and questions! Discussion and engagement are encouraged.
ACCESSIBILITY
This workshop series will be held in English through Zoom with Closed Captioning enabled through auto-transcription technology. There will be discussions throughout the workshop, and so the use of audio will be used for participation.
Other accommodations can be made if we are informed ahead of time. The use of video is strongly encouraged for all attendees to contribute to the learning experience.
CODE OF CONDUCT
By registering for this workshop, you agree to respect the following terms:
Difficult conversations may arise; you agree to maintain a safe and respectful space for everyone to participate in discussions. CARFAC reserves the right to remove participants from workshop sessions if they use discriminatory language, personal attacks, inappropriate behavior or violent threats.
No recording or broadcasting of audio or video of the workshop by registered participants is permitted.
No sharing of personal Zoom registration links/codes with people not registered for the workshop. Additionally, you agree not to transfer the Zoom link/code to a substitute attendee unless permitted to do so by CARFAC.
Please contact CARFAC National Programs Director Larissa at larissa@carfac.ca if you have any questions about the Professional Development for Indigenous Artists workshop series.
"Artistic Considerations of Protocols and Traditional Knowledge" Winter Workshop with Monique Manatch
“Artistic Considerations of Protocols and Traditional Knowledge” Winter Workshop with Monique Manatch
Date: Wednesday, February 17, 2026
Time: 6:00 - 9:00 PM EST
Where: Virtually via Zoom
WORKSHOP DESCRIPTION
This workshop will provide Indigenous Artists with considerations surrounding Indigenous protocols as they relate to their artistic practices. What are Indigenous Protocols? What happens when a Protocol is broken? What do I need to know when working with cultural materials? Why can't I depict images from Nations outside of my own? What does safeguarding knowledge mean? Register today to further your understanding and to strengthen your artistic considerations surrounding Indigenous Protocols.
ABOUT THE WORKSHOP LEADER
Monique Manatch is a member of the Algonquins of Barriere Lake and a Knowledge Carrier. In 2004, Monique founded and became Executive Director of Indigenous Culture and Media Innovations (www.icmi.ca). ICMI is dedicated to the skills development of Indigenous communities through the production of media and arts. Monique has facilitated Indigenous artists and community members throughout Ontario, Quebec and Newfoundland. ICMI projects include the creation of an Algonquin Language video game.
Currently, Monique is a student at Carleton University taking a doctorate program in Anthropology focusing on the impact, use and creation of digital arts in the Indigenous community. Her Master’s Degree is in Indigenous and Canadian Studies with a specialty in Digital Humanities and Curatorial Studies. Monique also holds a post-graduate diploma in Indigenous Policy and Administration. Over the past 20 years Monique has produced several video documentaries about Indigenous issues. Monique also facilitated the production of videos and community radio programming with Kitigan Zibi Anishnabeg, Mitchikanibikok Inik (Algonquins of Barriere Lake), Mushkegowuk Cree and the Indigenous community in Ottawa.
-
REGISTRATION
After registering, you will receive an email with a Zoom link and additional workshop information.
CAPACITY
Space for this workshop is limited to 50 attendees.
ATTENDEE EXPECTATIONS
We ask you to come with your curiosity and questions! Discussion and engagement are encouraged.
ACCESSIBILITY
This workshop series will be held in English through Zoom with Closed Captioning enabled through auto-transcription technology. There will be discussions throughout the workshop, and so the use of audio will be used for participation.
Other accommodations can be made if we are informed ahead of time. The use of video is strongly encouraged for all attendees to contribute to the learning experience.
CODE OF CONDUCT
By registering for this workshop, you agree to respect the following terms:
Difficult conversations may arise; you agree to maintain a safe and respectful space for everyone to participate in discussions. CARFAC reserves the right to remove participants from workshop sessions if they use discriminatory language, personal attacks, inappropriate behavior or violent threats.
No recording or broadcasting of audio or video of the workshop by registered participants is permitted.
No sharing of personal Zoom registration links/codes with people not registered for the workshop. Additionally, you agree not to transfer the Zoom link/code to a substitute attendee unless permitted to do so by CARFAC.
Please contact CARFAC National Programs Director Larissa at larissa@carfac.ca if you have any questions about the Professional Development for Indigenous Artists workshop series.
"Grants and Proposals" Winter Workshop with Liz Barron
“Grants and Proposals” Winter Workshop with Liz Barron
Date: Wednesday, February 24th 2027
Time: 6:00 - 9:00 PM EST
Where: Virtually via Zoom
WORKSHOP DESCRIPTION
Grant Writing for Artists
How does a strong artistic idea become a clear and competitive grant application? This hands-on workshop will examine two common grant-writing scenarios: applying for support after being invited to participate in an exhibition and applying to research and create a new body of work. Participants will learn how to describe their project, explain its importance, develop a realistic timeline and connect their proposed activities to an appropriate budget. This is a working session. Participants should come prepared with either a confirmed exhibition opportunity or an idea for a new body of work. Bring any relevant notes, invitation letters, project dates and estimated expenses. Participants will begin developing a project summary, timeline and list of expenses during the workshop.
Writing an Exhibition Proposal
Do you have an exhibition idea but are unsure how to approach an artist-run centre, gallery or curator? This hands-on workshop will guide artists through the essential components of an exhibition proposal, including the project description, artist statement, support materials and connection to a gallery’s mandate. Participants will learn how Canadian artist-run centres assess proposals and how to clearly communicate what they are proposing, why it matters and why it is appropriate for a particular venue. This is a working session. Participants should come prepared with an exhibition idea, notes about their work and, if possible, the name of an artist-run centre, gallery or curator they may wish to approach. Participants will begin drafting a project description during the workshop.
ABOUT THE WORKSHOP LEADER
Liz Barron has been self-employed in the arts for the last 25 years. She is dedicated to building strategies and programs that target, motivate, and engage Indigenous artists and organizations working in all cultural milieu. Her skills in arts management includes experience working with CARFAC, the Ottawa Symphony Orchestra, and numerous Indigenous led arts and culture not-for- profits.
She is currently employed as Executive Director of Operations at the Indigenous Curatorial Collective (ICCA). Liz is one of the original founders of Urban Shaman Gallery in Winnipeg, and she has served as a mentor with the Manitoba Music Indigenous Mentorship program. She was the project manager for one of the largest Indigenous contemporary exhibitions in Canada, Close Encounters: The Next 500 Years, led by four Indigenous curators which featured over 30 Indigenous contemporary artists. In 2021, she started the Barron Bursary at Digital Arts Resource Centre in Ottawa, to support an Indigenous moving image maker to study film at the University of Ottawa. Barron is a member of the Manitoba Metis Federation and a member of the Catfish Local, Winnipeg.
-
REGISTRATION
After registering, you will receive an email with a Zoom link and additional workshop information.
CAPACITY
Space for this workshop is limited to 50 attendees.
ATTENDEE EXPECTATIONS
We ask you to come with your curiosity and questions! Discussion and engagement are encouraged.
ACCESSIBILITY
This workshop series will be held in English through Zoom with Closed Captioning enabled through auto-transcription technology. There will be discussions throughout the workshop, and so the use of audio will be used for participation.
Other accommodations can be made if we are informed ahead of time. The use of video is strongly encouraged for all attendees to contribute to the learning experience.
CODE OF CONDUCT
By registering for this workshop, you agree to respect the following terms:
Difficult conversations may arise; you agree to maintain a safe and respectful space for everyone to participate in discussions. CARFAC reserves the right to remove participants from workshop sessions if they use discriminatory language, personal attacks, inappropriate behavior or violent threats.
No recording or broadcasting of audio or video of the workshop by registered participants is permitted.
No sharing of personal Zoom registration links/codes with people not registered for the workshop. Additionally, you agree not to transfer the Zoom link/code to a substitute attendee unless permitted to do so by CARFAC.
Please contact CARFAC National Programs Director Larissa at larissa@carfac.ca if you have any questions about the Professional Development for Indigenous Artists workshop series.
“Your Art, Your Voice: Setting Yourself Up For Digital Success” Winter Workshop with Justine Stilborn.
“Your Art, Your Voice: Setting Yourself Up For Digital Success” Winter Workshop with Justine Stilborn
Date of Winter Workshop: Wednesday, March 3, 2026
Time of Winter Workshop: 5:00 - 8:00 PM EST
Where: Virtually via Zoom
WORKSHOP DESCRIPTION
In today’s digital landscape, taking control of your creative practice means having the tools, systems, and strategy to present your work on your own terms. Whether you're building your first website, navigating social media, or trying to put your artistic practice into words, this workshop breaks down the essentials without the confusing jargon. Designed as an interactive professional development session, we will walk you through the core foundations of digital organization and online presence while keeping your practice grounded in your authentic voice.
Led by Justine "Tini" Stilborn and supported by Larissa Desrosiers, this workshop blends practical strategy with guided, hands-on activities so you leave with tangible materials ready to digitize your artistic practice.
What We’ll Cover:
Overview of artwork documentation, digital archiving, and descriptive practices for long-term organization.
Core foundations of strategic website design and social media strategy built for artists.
Mapping your unique brand to clarify your creative values, vision, and online presence.
Guided development of your professional artist bio and artist statement.
No prior marketing experience required - just bring your practice and your story!
ABOUT THE WORKSHOP LEADER
Justine “Tini” Stilborn is a Regina-based artist, designer, and Programs Manager at the Indigenous Curatorial Collective (ICCA). A Métis, Swampy Cree, Romanian, Scottish, and mixed Settler woman, she holds a BFA in Visual Arts from the University of Regina. She currently serves as 2nd Vice President of CARFAC National, Past President of CARFAC Sask, a MacKenzie Art Gallery Ambassador, and sits on the City of Regina’s Cultural Sector Reference Committee.
Her professional experience includes past roles as Vice President of a marketing agency and Communications Specialist at FHQ Developments. As a freelance graphic designer, illustrator, and public artist, Justine bridges strategic communications, branding, and creative execution.
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REGISTRATION
After registering, you will receive an email with a Zoom link and additional workshop information.
CAPACITY
Space for this workshop is limited to 50 attendees.
ATTENDEE EXPECTATIONS
We ask you to come with your curiosity and questions! Discussion and engagement are encouraged.
ACCESSIBILITY
This workshop series will be held in English through Zoom with Closed Captioning enabled through auto-transcription technology. There will be discussions throughout the workshop, and so the use of audio will be used for participation.
Other accommodations can be made if we are informed ahead of time. The use of video is strongly encouraged for all attendees to contribute to the learning experience.
CODE OF CONDUCT
By registering for this workshop, you agree to respect the following terms:
Difficult conversations may arise; you agree to maintain a safe and respectful space for everyone to participate in discussions. CARFAC reserves the right to remove participants from workshop sessions if they use discriminatory language, personal attacks, inappropriate behavior or violent threats.
No recording or broadcasting of audio or video of the workshop by registered participants is permitted.
No sharing of personal Zoom registration links/codes with people not registered for the workshop. Additionally, you agree not to transfer the Zoom link/code to a substitute attendee unless permitted to do so by CARFAC.
Please contact CARFAC National Programs Director Larissa at larissa@carfac.ca if you have any questions about the Professional Development for Indigenous Artists workshop series.
Engagement and Collaboration for Cultural Workers
This workshop is for Indigenous or Canadian organizations whose primary mandate is to present visual or media art*, as well as independent cultural workers (curator, consultant, researcher, etc). We highly encourage organizations to register at least two participants, so knowledge is shared within the organization. Participants may include board and/or staff from the organization.
Indigenous Protocols for Non-Indigenous Artists
Indigenous Protocols for Non-Indigenous Artists
Over the course of the workshop, Larissa will provide guidance for respecting Indigenous Knowledge, facilitate discussions about Protocols, practices to avoid, as well as best practices for collaboration with Indigenous Artists and Knowledge Keepers
Engagement and Collaboration for Cultural Workers
This workshop is for Indigenous or Canadian organizations whose primary mandate is to present visual or media art*, as well as independent cultural workers (curator, consultant, researcher, etc). We highly encourage organizations to register at least two participants, so knowledge is shared within the organization. Participants may include board and/or staff from the organization.
Protection and Considerations for Indigenous Artists
Protection and Considerations for Indigenous Artists Workshop
Over the course of the workshops, we will have discussions around Intellectual Property, cultural appropriation, safeguarding cultural knowledge, and Indigenous artist’s rights and responsibilities when using traditional and contemporary imagery. There will also be information on how artists can protect their artwork using available tools and legal resources.
Indigenous Protocols for Non-Indigenous Artists
Indigenous Protocols for Non-Indigenous Artists
Over the course of the workshop, Larissa will provide guidance for respecting Indigenous Knowledge, facilitate discussions about Protocols, practices to avoid, as well as best practices for collaboration with Indigenous Artists and Knowledge Keepers
Indigenous Protocols for Artists
Protection and Considerations for Indigenous Artists Workshop
Over the course of the workshops, we will have discussions around Intellectual Property, cultural appropriation, safeguarding cultural knowledge, and Indigenous artist’s rights and responsibilities when using traditional and contemporary imagery. There will also be information on how artists can protect their artwork using available tools and legal resources.
Engagement and Collaboration for Cultural Workers
This workshop is for Indigenous or Canadian organizations whose primary mandate is to present visual or media art*, as well as independent cultural workers (curator, consultant, researcher, etc). We highly encourage organizations to register at least two participants, so knowledge is shared within the organization. Participants may include board and/or staff from the organization.
Indigenous Protocols for Artists
Protection and Considerations for Indigenous Artists Workshop
Over the course of the workshops, we will have discussions around Intellectual Property, cultural appropriation, safeguarding cultural knowledge, and Indigenous artist’s rights and responsibilities when using traditional and contemporary imagery. There will also be information on how artists can protect their artwork using available tools and legal resources.
Protection and Considerations for Indigenous Artists
Indigenous Protocols for Artists
Over the course of the workshop, Larissa will provide guidance for respecting Indigenous Knowledge, facilitate discussions about Protocols, practices to avoid, as well as best practices for collaboration with Indigenous Artists and Knowledge Keepers.
Engagement and Collaboration for Organizations
This Conversation is for Organizations (Galleries, Museums, Artist-Run Centers) operating in Yukon, Northwest Territories, and Nunavut. The workshop will be led by Larissa Desrosiers, an Ojibwe Queer Singer/Songwriter and Beadworker from Couchiching First Nation in Treaty #3, with featured speaker Teresa Vander Meer-Chassé, Visual Artist and Emerging Curator!
Over the course of the session, Larissa will facilitate a conversation with Teresa where we will discuss best practices to remember when working and/or collaborating with Indigenous Artists, Curators, and Knowledge Keepers. Additionally, we will discuss the importance of respecting Indigenous Knowledge and pathways to do so.
Protocols for Non-Indigenous Artists
This conversation is for Non-Indigenous Artists living in or connected to Yukon, BC, Alberta, and Saskatchewan. The workshop will be led by Larissa Desrosiers, an Ojibwe Queer Singer/Songwriter and Beadworker from Couchiching First Nation in Treaty #3, with featured speaker Heather Steinhagen, Craft Content Developer for the Canadian Crafts Federation.
Over the course of the session, Larissa will facilitate a discussion with Heather Steinhagen that will provide some historical context that encourages folks to respect Indigenous Knowledge as well as best practices for collaboration with Indigenous Artists and Knowledge Keepers.
Protection and Considerations for Indigenous Artists
This Conversation is for Indigenous Artists who are living in or connected to Yukon, BC, Alberta, and Saskatchewan. The session will be led by Larissa Desrosiers, an Ojibwe Singer/Songwriter and Beadwork Artist from Couchiching First Nation in Treaty #3 with featured speaker, Lisa Walker.
Over the course of the conversation session, we will have discussions around Intellectual Property, cultural appropriation, safeguarding cultural knowledge, and Indigenous artist’s rights and responsibilities when using traditional and contemporary imagery. There will also be information on how artists can protect their artwork using available tools and legal resources.
Engagement and Collaboration for Organizations
This Conversation is for Organizations (Galleries, Museums, Artist-Run Centers) operating in Yukon, BC, Alberta, and Saskatchewan. The workshop will be led by Larissa Desrosiers, an Ojibwe Queer Singer/Songwriter and Beadworker from Couchiching First Nation in Treaty #3, with featured speaker Tracey Kim Bonneau of Of The Land Productions Inc.
Over the course of the session, Larissa will facilitate a conversation with Tracey where we will discuss best practices to remember when working and/or collaborating with Indigenous Artists, Curators, and Knowledge Keepers. Additionally, we will discuss the importance of respecting Indigenous Knowledge and pathways to do so.
Protection and Considerations for Indigenous Artists
This Conversation is for Indigenous Artists who are living in or connected to Manitoba, Ontario, and Quebec. The session will be led by Larissa Desrosiers, an Ojibwe Singer/Songwriter and Beadwork Artist from Couchiching First Nation in Treaty #3 with featured speakers TJ Cuthand and Quill Christie-Peters.
Over the course of the conversation session, we will have discussions around Intellectual Property, cultural appropriation, safeguarding cultural knowledge, and Indigenous artist’s rights and responsibilities when using traditional and contemporary imagery. There will also be information on how artists can protect their artwork using available tools and legal resources.
Protection and Considerations for Indigenous Artists
This Conversation is for Indigenous Artists who are living in or connected to Quebec, Nova Scotia, New Brunswick, Prince Edward Island, and Newfoundland and Labrador. The session will be led by Larissa Desrosiers, an Ojibwe Singer/Songwriter and Beadwork Artist from Couchiching First Nation in Treaty #3 with featured speaker, Alex Antle of Bunchberry Beadwork!
Over the course of the conversation session, we will have discussions around Intellectual Property, cultural appropriation, safeguarding cultural knowledge, and Indigenous artist’s rights and responsibilities when using traditional and contemporary imagery. There will also be information on how artists can protect their artwork using available tools and legal resources.
Protocols for Non-Indigenous Artists
This conversation is for Non-Indigenous Artists living in or connected to Quebec, Newfoundland and Labrador, Prince Edward Island, New Brunswick, and Nova Scotia. The workshop will be led by Larissa Desrosiers, an Ojibwe Queer Singer/Songwriter and Beadworker from Couchiching First Nation in Treaty #3, with featured speaker Charlie Gaffney, Wolastoqiyik Visual Artist and Educator.
Over the course of the session, Larissa will facilitate a discussion with Charlie that will provide some historical context that encourages folks to respect Indigenous Knowledge as well as best practices for collaboration with Indigenous Artists and Knowledge Keepers.
Indigenous Protocols for Organizations
This Conversation is for Organizations (Galleries, Museums, Artist-Run Centers) operating in Quebec, Newfoundland and Labrador, Prince Edward Island, New Brunswick, and Nova Scotia. The workshop will be led by Larissa Desrosiers, an Ojibwe Queer Singer/Songwriter and Beadworker from Couchiching First Nation in Treaty #3, with featured speaker Michelle McGeough, Assistant Professor in the Department of Art History at Concordia University.
Over the course of the session, Larissa will facilitate a conversation with Michelle where we will discuss best practices to remember when working and/or collaborating with Indigenous Artists, Curators, and Knowledge Keepers. Additionally, we will discuss the importance of respecting Indigenous Knowledge and pathways to do so.
Indigenous Protocols for Organizations
This workshop is for participants from arts organizations living in or connected to Manitoba, Ontario, and Quebec. The workshop will be led by Larissa Desrosiers, an Ojibwe Queer Singer/Songwriter and Beadworker from Couchiching First Nation in Treaty #3, with featured speaker, Danielle Printup, Indigenous Cultural Engagement Coordinator at the Carleton University Art Gallery.
Over the course of the workshop, Larissa will provide historical context and guidance for respecting Indigenous Knowledge, facilitate discussions and activities about Protocols, practices to avoid, as well as best practices for collaboration with Indigenous Artists and Knowledge Keepers.
Protocols for Non-Indigenous Artists
This conversation is for Non-Indigenous Artists living in or connected to Manitoba, Ontario, and Quebec. The workshop will be led by Larissa Desrosiers, an Ojibwe Queer Singer/Songwriter and Beadworker from Couchiching First Nation in Treaty #3, with featured speaker Dayna Danger.
Over the course of the session, Larissa will facilitate a discussion with Dayna that will provide some historical context that encourages folks to respect Indigenous Knowledge as well as best practices for collaboration with Indigenous Artists and Knowledge Keepers.
Indigenous Protocols for Artists
This workshop is for non-Indigenous Artists living in or connected to Nunavut or the Northwest Territories. The workshop will be led by Larissa Desrosiers, an Ojibwe Queer Singer/Songwriter and Beadworker from Couchiching First Nation in Treaty #3, with featured speaker Theresie Tungilik, Artist and Advisor for the Government of Nunavut in the Department of Arts and Traditional Economy.
Over the course of the workshop, Larissa will provide historical context and guidance for respecting Indigenous Knowledge, facilitate discussions and activities about Protocols, practices to avoid, as well as best practices for collaboration with Indigenous Artists and Knowledge Keepers.
Protection and Considerations for Northern Indigenous Artists
This workshop is for Indigenous artists living in or connected to Nunavut or the Northwest Territories. The workshop will be led by Larissa Desrosiers, an Ojibwe Queer Singer/Songwriter and Beadworker from Couchiching First Nation in Treaty #3, with featured speaker Iqaluit-based Inuk jeweler, Mathew Nuqingaq.
Over the course of the workshop, we’ll review Indigenous Protocols, their application and how to respect them throughout your artistic practice. We’ll discuss cultural appropriation as well as safeguarding cultural knowledge. There will be an introduction to Intellectual Property and copyright related terminology, and how artists can protect their artwork using available tools and legal resources.
Indigenous Protocols: Pathways of Protection
A CARFAC National Webinar Series presentation.
Wednesday, March 23 at 4PM EST (check your local time)
Join us for a conversation with Indigenous Protocols for the Visual Arts contributors David Garneau, Lou-ann Neel and Theresie Tungilik. They’ll be discussing the creation of the guide, respecting Indigenous Protocols from their own perspectives and some of the steps that can be taken to protect Indigenous Cultural Expressions. The presentation will be moderated by Liz Barron, Project Manager, and there will be time for a Q&A at the end.
Registration is required.
Indigenous Protocols for the Visual Arts
In partnership with the Artist-Run Centres and Collectives Conference (ARCA) on February 22, 2022 at 2 pm Central (check your local time). Speakers include Lori Beavis and Daina Warren.
Registration for this meeting is closed.
Navigating Indigenous Protocols & Intellectual Property
In partnership with the National Indigenous Media Arts Coalition (NIMAC) presented on January 11, 2022 at 4 pm Central. Speakers included Tracey Kim Bonneau and T'uy't'tanat-Cease Wyss.
Registration for this meeting is now closed.